Film 3 of 5 · Film · 4:18
Film it
Every picture becomes a clip: choose how each shot is filmed — moving, lips in sync with its line, or still — film one shot first, then the rest, and retake one with a note.
Transcript
“This exact order was rung up ten years ago. To the minute.” “Then you understand why I came back.”
The board plays. Now every picture becomes a clip. In this video: choose how each shot is filmed, film one shot first, then the rest, and retake one with a note.
This is the Film step. Every shot becomes a clip from its picture; for a moving picture, the lines you heard on the board are its sound. Each row has the picture, how the shot is filmed, how long the clip runs, and its price. Up here, the show's motion model: Veo three point one Lite. You can change it here.
Three ways to film a shot. A moving picture: the picture moves, and the line plays over it. Lips in sync: the speaker's face on screen, saying the line; it's filmed with Wan three point oh, which speaks in its own voice, as near the character's as it can, unless you connect ElevenLabs. A still picture: held, for free. Shot thirteen is the cliffhanger, and we want Elias's face: choose Lips in sync.
A line in sync is drawn face on, so its picture is redrawn first. On the Board, choose Redraw the one out of date: four cents.
When a line runs longer than its shot, Kiju says so. In shot four, Mara's line runs five point two seconds; the shot, four. Choose Hold the picture to make the shot as long as its line, or split the line across two shots. We hold it.
Now film one shot first: you see the look in motion before you pay for the rest. The first time you film, Kiju sets the episode's ceiling: what the episode has spent, the film, and an allowance for retakes. It never spends past it, and it's yours to change. Choose Film one shot first.
Here is shot two in motion: Mara wipes her hands on her apron, her back to us, so her line plays over the clip. Click the clip to play it, or to retake it with a note. If the look holds, film the rest.
Choose Film the other thirteen. The price is on the button, and the ceiling stays above it. Each clip lands in its row as it's ready, in a minute or two.
Two clips did not come. Veo turned their pictures down, its filter on faces, and nothing was billed. Each row offers another model: choose Film it with Kling instead, for shot three, then shot twelve. Then film the other two.
Every shot is filmed: twelve on Veo, two on Kling. The episode has spent three dollars and eighty cents so far, its board included. Shot thirteen is in sync: Elias says the cliffhanger face on, in Wan's own voice, as near his chosen one as it can. Listen.
In shot one, two cups sit on the counter; there should be one, sliding into frame. Open the clip, say what should change in the next take, and choose Retake with this change. The clip you had stays among the takes.
Here's the retake: one cup, and the hand lets go. Both takes stay with the shot; the cut uses the one marked chosen, and you can switch back at any time.
Pause here, and make yours: choose how each shot is filmed, film one shot first, then the rest, and retake what isn't right, with a note. Next: cut it, and post it.
The film is in English, with English captions. Filmed on the Kiju show desk, before its release. The images, the video, the voices and the music in the films are AI-generated.